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Admission Tests GRE General Test Sample Questions:

1.

A) The relationship cannot he determined from the information given.
B) The two quantities are equal.
C) Quantity A is greater.
D) Quantity B is greater.

2. The relevance of the literary personality-a writer's distinctive attitudes, concerns, and artistic choices-to the analysis of a literary work is being scrutinized by various schools of contemporary criticism.
Deconstructionists view the literary personality, like the writer's biographical personality, as irrelevant. The proper focus of literary analysis, they argue, is a work's intertextuality (interrelationship with other texts), subtexts (unspoken, concealed. or repressed discourses), and metatexts (self-referential aspects), not a perception of a writer's verbal and aesthetic "fingerprints." New historicists also devalue the literary personality, since, in their emphasis on a work's historical context, they credit a writer with only those insights and ideas that were generally available when the writer lived. However, to readers interested in literary detective work-say scholars of classical (Greek and Roman) literature who wish to reconstruct damaged texts or deduce a work's authorship- the literary personality sometimes provides vital clues.
Which of the following does the author mention in the passage as a concern of (^constructionists?

A) A cognizance of a work's unarticulated ideas
B) A knowledge of the writer's other literary works
C) An awareness of a work's relation to the era in which it was written
D) A knowledge of the writer's artistic preferences
E) An appreciation of a work's aesthetic distinctiveness

3. A divide between aesthetic and technical considerations has played a crucial role in mapmaking and cartographic scholarship. Some nineteenth-century cartographers, for instance, understood themselves as technicians who did not care about visual effects, while others saw themselves as landscape painters. That dichotomy structured the discipline of the history of cartography. Until the 1980s, in what Blakemore and Harley called "the 'Old is Beautiful' paradigm.* scholars largely focused on maps made before 1800.
marveling at their beauty and sometimes regretting the decline of the pre-technical age. Early mapmaking was considered art while modem cartography was located within the realm of engineering utility. Alpers. however, has argued that this boundary would have puzzled mapmakers in the seventeenth century, because they considered themselves to be visual engineers.
According to the passage. Alpers would say that the assumptions underlying the "paradigm" were

A) unconcerned with the difference between the aesthetic and the technical qualities of mapmaking
B) insensitive to divisions among cartographers working in the period after 1S00
C) dependent on a seventeenth-century conception of mapmaking as visual engineering
D) supported by the demonstrable technical superiority of maps made after 1S00
E) inconsistent with the way some mapmakers prior to 1800 understood their own work

4. Exhibit.

For the years shown, the greatest annual maize production was what percent greater than the median annual maize production?
Give your answer to the nearest whole percent.

5. The highly dispersed nature of Panzaleo pottery throughout present-day Ecuador has led archaeologists to speculate about the pottery's origins and significance. Jijon y Caamano attributed the pottery's distribution to trade, and based on the large quantities of pottery recovered in the Ambato-Latacunga region of the central Ecuadorian highlands, he proposed that region as the probable locus of production. However. Porras suggests that inhabitants of the subtropical eastern Andean slopes, or montafta, were the original producers of Panzaleo.
Porras: theory involves the forced migration of the montaria population from their homeland in the Quijos River valley into the Ecuadorian highlands. The gradual exodus and ensuing dispersal of the makers of this ware could account for the diffuse distribution of the materials.
The passage cites evidence supporting which of the following hypotheses?

A) Jijon y Caamaflos hypothesis about the relationship between trade and the distribution of Panzaleo pottery
B) Jijon y Caamanos hypothesis about the probable locus of Panzaleo pottery production
C) Porras' hypothesis about the dispersal of the original makers of Panzaleo porter)"
D) Porras' hypothesis about the forced migration of certain peoples
E) Porrasr hypothesis about who the original producers of Panzaleo pottery were

Solutions: